Friday, October 25, 2013

Topic Free Write

I want to explore the topic of digital composition in my final project for 303. Specifically, I want to learn more about how students are being asked to compose digitally, how students feel about digital composition (do they feel ready? Confident? Underprepared? Concerned?), how and why teachers are requiring more digital composition than ever before, and finally, synthesize all of that into a discussion of what we as consultants need to know about digital composition to help students. Phew. 

Something I’ve noticed in my own classroom experience is the prevalence of “digital composition” (which I know has a sticky definition). Even in the 6 years (sheesh) that I’ve been in college, the changes in technology have been drastic. I have very few classes today that don’t have an element of digital composition (be it a blog, a collaborative website, a web page, etc.) And yet, only a few classes I’ve been in have had any kind of instruction on the affordances and constraints of digital composition. For instance, in one of my first BSU classes, the teacher explained that we were to do a PowerPoint presentation for one of our projects. Why? Because the professor wanted to incorporate more “digital composition” into the classroom. Leaving aside the point that a PowerPoint presentation hardly fits the bill for including “digital composition” in the classroom, there was no instruction on the rhetorical effects of using a PPT presentation. We received no rubric and read no instructions on the genre. What ended up happening were many hard-to-read presentations with 25 slides FULL of texts, which were then read out loud by students. 

All of this leads me to my ultimate point: I want to write about what we need to know as consultants about the rhetoric of digital composition, so that when students bring digital composition in to the writing center--which will, no doubt, be more often over the next few years--we’ll know how to help them. Although I don’t think I’ll go into detail about the rhetoric of digital composition (I don’t want this to turn into a “how-to” article), I do want to point out the dangers of assuming that the same rules apply to traditional composition and digital composition. Ultimately I want to give writing center folks tools to think about digital composition, and ideas for responding to students’ digital writing. 

A possible outline: 


  1. Introduce the situation
    1. Define digital composition
    2. Discuss prevalence of digital composition (statistics of assignments) 
    3. Introduce problem for writing center consultants
  2. Discuss typical digital composition assignments that assume the “same rules apply” as with traditional composition
  3. Discuss pitfalls of tutoring in digital composition without understanding the genre
  4. Introduce solution(s) -- discuss resources and ideas

1 comment:

  1. This is an excellent start, Emily! I've been thinking quite a bit about the WC's role in helping students with digital projects in the Center. We say we work on any writing with any student, yet we don't see much in the form of digital compositions (although we do see a few, and we are seeing more and more). As I read your post I found myself thinking about one particular article:

    Hubbuch, Susan M. "A Tutor Needs to Know the Subject Matter to Help a Student with a Paper: []agree []disagree []not Sure." Writing Center Journal. 8.2 (1988): 23-30. Print.

    In this article, Hubbuch examines whether or not consultants need to know the subject matter. I thought of this in your post because I began to wonder if the consultants need to know the genre. Each genre has a set of conventions, sure, and we work with all kinds of genres--yet, our consultants aren't "experts" in every genre. Fun side note: Heath and Dory just presented at RMPTC about their experience together in the Center--Dory was working on a French lit paper IN FRENCH, and Heath consulted with her on it. They argued in their presentation that a consultant doesn't even necessarily need to be able to read/speak/understand a language to consult with it. Interesting, no?

    You're going to have so much fun with this project! Let's talk more once you find a few articles to play around in.

    mk

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